Via SexGenderBody

I-D Magazine -87

Via QueerAsFuck

"Last week I passed by this dead cat in the street. We had the same eyes. The same dead eyes. 

When i told that to this person/acquaintance/guy he ignored it and proceeded to tell me he had a cat

and wanted me to come over and that it would lay with me."  / A

Via p1ss

Suttit på Facebookchatten hela dagen. Väntat på att ett ragg ska gå online. Som nån jävla osäker ICQfjårtiz nittioåtta. Men på den tiden existerade den där personen. Det gör den inte nu.   

VIA CANALOPTIQUE

GOSH, the libary was closed and I can't work in my studio today so now I'm sitting in a Café on South Side and I'm totally scared to death. I've been scared of this Café sect forever (read: Yngves-tiden om du är från LKPG) and now they're playing Shout Out Louds and I'm too afraid to drink my coffee cuz I think it might turn me into Hank Moody, Bret Easton Ellis, Martin Kellerman or any other nice, unnice, cultivated, dysfunctional asshole. And if I won't become one of them I will most certainly turn into the white middle-(cl)assy asshole I should have been, start to like "difficult" poetry and forget all about intersectional perspectives. Ok, I'm outta here now!!!!!!!!!!!!!!!!

In times when everybody seems to look at the past for something new and retro is synonymous to fresh, it does feel pretty delightful to see ADAM NEATE's work that isn't looking back. Oh well there are some Surrealism, some Picasso and Francis Bacon in the mix but in a new way, I mean, just to be able to make 3D beautiful is a skill! And it gets better when you hear the whole story; He gave away works to friends, was so productive he instead started leaving them outside the charity shops as a donation. He found out that they were not being sold, instead thrown away with the garbage, which made him leave them in the streets instead, imagine what an open exhibition! During a five year period, Adam Neate left thousands of his works in LDN streets!

"The whole concept of the free art thing was challenging the notion of art as a commodity and its worth in society. Now I’m taking that to another level, testing the viability of separating art from commerce."

Some of his works can be seen along many great things at the ARTHK11 in HONG KONG, read more here.